Entintado: Inked Visions from the U.S. and México (English)

PARTICIPATING ARTISTS

Pável Acevedo, Alan Altamirano, Matt Bagley, Carlos Barberena, María Benitez, Jessie Burciaga, Mizraim Cárdenas, Vanessa Carrera, Alejandra Carrillo, Nicolás de Jesús, Celeste DeLuna, Alec Dempster, Jan Dreskin-Haig, Barbara Elam, Héctor García Herrera, Jacob Taylor Gibson, Nick Glenn, Grabiel Gráfica, Mary Hannigan, Juán J. Hernández, Irving Herrera, Violeta Juárez, Braulio Lazon-Conde, Mario E. Luna, Jackie Maclelland, Mari Mariel, Analise Minjarez, Juán de Dios Mora, Gabriela Morac, Benjamin Muñoz, Sharon Neel-Bagley, David Newman, Daniela Ram, Axel Rayón, Krystal Read, Brian Reedy, Joel Rendón, Noin Rivera, Eduardo Robledo, Daniel Salazar, Rosalía Salazar, Marco Sánchez, Shawn Saumell, Una Scott, Jainite Silvestre, Brad Ford Smith, Terri Thoman, Cecilia Thurman, and Vladimir Zimakov.

Enrique Fernández Cervantes • Curator

ABOUT THE EXHIBITION

Entintado stands as a testament to the rich tapestry of printmaking traditions weaving through the landscapes of Texas and other parts of the United States, as well as various regions of Mexico. This exhibition celebrates the long-lived heritage of traditional printmaking. With the masterful craftsmanship of artists spanning both sides of the border, the gallery transforms into a space for the exploration and celebration of this time-honored medium.  DFW stands as an ideal location for the exhibition, given that many of the showcased artists call this region of north Texas their home. Furthermore, the area’s appreciation for printmaking as a favored medium among art patrons and creators alike adds an extra layer of significance to the showcase.

At the heart of Entintado lies an investigation into the diverse and intersecting visions of the participating artists, who use their creations as tools for personal exploration and to communicate their unique perspectives, weaving real or imagined narratives and offering unique expressions of their worldview. The prints serve as a reflection of personal contemplations, as artists engage in their craft for both communication and self-exploration. They delve into themes spanning individual perspectives, cultural heritage, identity, and the sheer joy derived from the act of mark-making in artistic creation.

Embraced for its versatility and communicative power, printmaking transcends borders, offering artists a platform to spread their messages to wider audiences.  The Entintado exhibition serves as a bridge between these rich traditions, uniting artists across geographies in a celebration of creativity, diversity, and the enduring power of the printed image.

LEGACY OF PRINTMAKING IN MEXICO AND THE U.S.

Printmaking in Mexico has a rich and storied tradition that reached new heights in the 20th century thanks to the pioneering artists of the renowned collective, Taller de la Gráfica Popular. Recently, Mexican printmakers have drawn inspiration from workshops such as La Chicharra, Hoja Santa Taller, Museo Nacional de la Estampa, El Pinche Grabador, La Ceiba Gráfica, and La Mano Press, among many others across the country. This legacy continues to thrive and intersect with the vibrant printmaking scene in the United States.

In recent decades, printmaking in the United States has made significant strides with the development of new techniques and the emergence of influential artist collectives. Notable groups that have advanced the medium include the Tamarind Institute, Universal Limited Art Editions, Self Help Graphics & Art, and Crown Point Press. In Texas, the printmaking community remains vibrant and supported through educational programs, artist residencies, exhibitions, and community outreach. Key contributors to this thriving scene in the state include Coronado printstudio, Flatbed Press, Sam Coronado’s Serie Project, and Familia Printshop, among others.